GCC Reads- The Lone Ranger and Tonto Fistfight in Heaven

The Instant New York Times Bestseller An Amazon editors' Top 20 books of 2017 Shortlisted for the Carnegie Medal for Excellence in Nonfiction A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian. Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth. She selflessly cared for strangers, but was often incapable of showering her children with the affection that they so desperately craved. She wanted a better life for her son, but it was only by leaving her behind that he could hope to achieve it. It's these contradictions that made Lillian Alexie a beautiful, mercurial, abusive, intelligent, complicated, and very human woman. When she passed away, the incongruities that defined his mother shook Sherman and his remembrance of her. Grappling with the haunting ghosts of the past in the wake of loss, he responded the only way he knew how: he wrote. The result is a stunning memoir filled with raw, angry, funny, profane, tender memories of a childhood few can imagine, much less survive. An unflinching and unforgettable remembrance, YOU DON'T HAVE TO SAY YOU LOVE ME is a powerful, deeply felt account of a complicated relationship. One of the most anticipated books of 2017--Entertainment Weekly and Bustle

Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and four-color interior art throughout, this edition is perfect for fans and collectors alike.

In his first new fiction since winning the National Book Award forThe Absolutely True Diary of a Part-Time Indian, best-selling author Sherman Alexie delivers a virtuoso collection of tender, witty, and soulful stories that expertly capture modern relationships from the most diverse angles.War Dances brims with Alexie's poetic and revolutionary prose, and reminds us once again why he ranks as one of our country's finest writers. With bright insight into the minds of artists, entrepreneurs, fathers, husbands, and sons, Alexie populates his stories with average men on the brink of exceptional change: In the title story, a son recalls his father's "natural Indian death" from alcohol and diabetes, just as he learns that he himself may have a brain tumor; "The Ballad of Paul Nonetheless," dissects a vintage clothing store owner's failing marriage and courtship of a Puma-clad stranger inairports across the country; and "Breaking and Entering" recounts a film editor's fateful confrontation with an thieving adolescent. Brazen and wiseWar Dances takes us to the heart of what it means to be human. The new beginnings, successes, mistakes, and regrets that make up our daily lives are laid bare in this wide-ranging new work that is quintessential

"In 1931, Robert Johnson allegedly sold his soul to the devil, receiving legendary blues skills in return. He went on to record only twenty-nine songs before being murdered on August 16, 1938. In 1992, however, Johnson suddenly appears on the Spokane Indian Reservation and meets Thomas Builds-the-Fire, the misfit storyteller of the Spokane Tribe." "So begins Reservation Blues, the mythic and musical tale of Coyote Springs, an all-Indian Catholic rock-and-roll band. With Thomas Builds-the-Fire as lead singer, Victor Joseph and Junior Polatkin on lead guitar and drums, and Chess and Checkers Warm Water on vocals, Coyote Springs takes their "four-and-a-half-chord rock and blues" to reservation bars, small town taverns, and the urban landscapes of Seattle and Manhattan." "Sherman Alexie brilliantly mixes narrative, newspaper excerpts, songs, journal entries, visions, radio interviews, and dreams to explore the effects of Christianity on Native Americans in the late twentieth century. More important, he examines cultural assimilation's impact on the relationship between Indian women and Indian men. Reservation Blues is a painful, humorous, and ultimately redemptive symphony about God and indifference, faith and alcoholism, family and hunger, sex and death."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Native American Sherman Alexie's new novel is a departure in tone from his lyrical and funny earlier work, which include The Lone Ranger and Tonto Fistfight in Heaven and Reservation Blues. The main character is an Indian serial killer who incites racial tension by murdering whites in retribution for his people's history. The killer leaves clear signs of his motives by scalping his victims, and leaving feathers as gestures of Indian defiance. The killer is a conflicted creation--raised by loving white parents, but twisted by loss of his identity as an Indian. Alexie layers the story with complications and ancillary characters, from a rabid talk show host, to vengeance seeking whites, to liberals who find their patronizing espousal of Indian causes no longer so easy.

Set in Arizona, Smoke Signals is the story of two Native American boys on a journey. Victor is the stoic, handsome son of an alcoholic father who has abandoned his family. Thomas is a gregarious, goofy young man who lost both his parents in a fire at a very young age. Through storytelling, Thomas makes every effort to connect with the people around him: Victor, in contrast, uses his quiet countenance to gain strength and confidence.When Victor's estranged father dies, the two men embark on an adventure to Phoenix to collect the ashes. Along the way, Smoke Signals illustrates the ties that bind these two very different young men and embraces the lessons they learn from one another.

Sherman Alexie's stature as a writer of stories, poems, and novels has soared over the course of his twenty-book, twenty-year career. His wide-ranging, acclaimed stories from the last two decades, from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner award-winning War Dances, have established him as a star in modern literature.A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases all his talents in his newest collection, Blasphemy, where he unites fifteen beloved classics with fifteen new stories in one sweeping anthology for devoted fans and first-time readers.Included here are some of his most esteemed tales, including "What You Pawn I Will Redeem," "This is What it Means to Say Phoenix, Arizona," "The Toughest Indian in the World," and "War Dances." Alexie's new stories are fresh and quintessential-about donkey basketball leagues, lethal wind turbines, the reservation, marriage, and all species of contemporary American warriors.An indispensable collection of new and classic stories, Blasphemy reminds us, on every thrilling page, why Sherman Alexie is one of our greatest contemporary writers and a true master of the short story.

In this darkly comic short story collection, Sherman Alexie, a Spokane/Coeur d'Alene Indian, brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-two interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. There is Victor, who as a nine-year-old crawled between his unconscious parents hoping that the alcohol seeping through their skins might help him sleep, Thomas Builds-the-Fire, who tells his stories long after people stop listening, and Jimmy Many Horses, dying of cancer, who writes letters on stationary that reads "From the Death Bed of Jimmy Many Horses III," even though he actually writes then on his kitchen table. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and mostly poetically between modern Indians and the traditions of the past.

Sherman Alexie is one of today's most captivating and popular writers -- The Nation has called him "a master of language, writing beautifully, unsparingly, and straight to the heart." Now with Ten Little Indians he offers nine poignant and emotionally resonant new stories about Native Americans who, like all Americans, find themselves at personal and cultural crossroads, faced with heart-rending, tragic, sometimes wondrous moments of being that test their loyalties, their capacities, and their notions of who they are and who they love. What kind of Indian loses her mind over a book of poems? Well, Corliss was that kind of Indian, she was exactly that kind of Indian, and it was the only kind of Indian she knew how to be. In Alexie's first story, "The Search Engine," Corliss is a rugged and resourceful student who finds in books the magic she was denied while growing up poor. When she discovers the poetry of a fellow Native who vanished thirty years earlier after winning the Pulitzer Prize, she makes it her mission to find him. Although he does not prove to be the man Corliss needs him to be, his devastating story will help her in her own struggle to belong. In "The Life and Times of Estelle Walks Above," an intellectual feminist Spokane Indian woman saves the lives of dozens of white women all around her to the bewilderment of her only child, now a grown man who looks back at his life with equal parts fondness, amusement, and regret. In "Do You Know Where I Am?" two college sweethearts rescue a lost cat -- a simple act that will affect the rest of their lives together. Finally, "What You Pawn I Will Redeem" starts off with a homeless man recognizing in a pawnshop window the fancydance regalia that was stolen fifty years earlier from his late grandmother. As he tries to raise $1,000 in twenty-four hours to buy back the outfit, the narrator's misadventure combines bittersweet wit and touching earnestness as only this author can. Even as they often make us laugh, Sherman Alexie's stories are driven by a haunting lyricism and naked candor that cut to the heart of the human experience, shedding brilliant light on what happens when we grow into and out of ourselves, and each other. Ten Little Indians is a great new work from one of today's most original and highly regarded writers of fiction. Book jacket.

A beloved American writer whose books are championed by critics and readers alike, Sherman Alexie has been hailed by Time as "one of the better new novelists, Indian or otherwise." Now his acclaimed new collection,The Toughest Indian in the World, which received universal praise in hardcover, is available in paperback. In these stories, we meet the kind of American Indians we rarely see in literature -- the kind who pay their bills, hold down jobs, fall in and out of love. A Spokane Indian journalist transplanted from the reservation to the city picks up a hitchhiker, a Lummi boxer looking to take on the toughest Indian in the world. A Spokane son waits for his diabetic father to come home from the hospital, tossing out the Hershey Kisses the father has hidden all over the house. An estranged interracial couple, separated in the midst of a traffic accident, rediscover their love for each other. A white drifter holds up an International House of Pancakes, demanding a dollar per customer and someone to love, and emerges with $42 and an overweight Indian he dubs Salmon Boy. Sherman Alexie's voice is one of remarkable passion, and these stories are love stories -- between parents and children, white people and Indians, movie stars and ordinary people. Witty, tender, and fierce,The Toughest Indian in the World is a virtuoso performance by one of the country's finest writers.

Poetry. Native American Studies. THE SUMMER OF BLACK WIDOWS presents poetry that has continued to grow in power, complexity, and vision. According to reviewer James R. Kincaid, "Mr. Alexie's is one of the major lyric voices of our time", and the many honors and an international following of readers from his poems, stories, and novels proves the claim. Chris Faatz from The Nation agrees, calling Alexie "a young writer who is taking the literary world by storm...a superb chronicler of the Native American experience...he is a master of language, writing beautifully, unsparingly and straight to the heart."

Poetry. Fiction. Published in 1992, well before Sherman Alexie became well-known as the screenwriter for the film SMOKE SIGNALS, THE BUSINESS OF FANCYDANCING has now been turned into a film with none other than Alexie himself in his directorial debut. The screenplay for the movie, which recently won the Audience Award at the San Francisco Film Festival, is loosly adapted from this book. Many film-goers will want to visit or revisit the elegaic poems and stories that set the tone for the film itself. "In an age when many 'Native American' writers publish books that prove their ignorance of the real Indian world, Sherman Alexie paints painfully honest visions of our beautiful and brutal lives"—Adrian C. Louis.

Poetry. Native American Studies. FIRST INDIAN ON THE MOON opens with the section "Influences": "where I have been/ most of my lives/ is where I'm going/--Lucille Clifton". The stories and poems of Sherman Alexie, an enrolled Spokane/Coeur d'Alene Indian from Wellpint, Washington, have appeared widely, in such publications as Caliban, Esquire, The World, Beloit Poetry Journal, Red Dirt, Zyzzyva and Story. Alexie has won a National Endowment for the Arts Writing Fellowship, and lives in Spokane. "These elegiac poems and stories will break your heart. Watch this guy. He's making myth"--Joy Harjo.

Poetry. Native American Studies. "Whether slyly identifying irony as a white man's invention, or deftly moving from prose-like multilayered narratives to formal poetry and song structures, this fifth collection from poet, novelist, and screenwriter Alexie demonstrates many of his skills. Most prominent perhaps is his ability to handle multiple perspectives and complex psychological subject matter with a humor that feeds readability: 'Successful non-Indian writers are viewed as well-informed about Indian life. Successful mixed-blood writers are viewed as wonderful translators of Indian life. Successful Indian writers are viewed as traditional storytellers of Indian life.' Poems such as the title one, a haunting chant for lost family, and 'The Theology of Cockroaches,' do some vivid scene setting: '...never/woke to a wall filled with cockroaches/spelling out my name, never/stepped into a dark room and heard/the cockroaches baying at the moon.' At times Alexie allows his language, within the lineated poems almost exclusively, to slacken into cliché. The opening, multipart prose piece 'The Unauthorized Biography of Me' is arguably the strongest in the book, juxtaposing roughly chronological anecdotes with 'An Incomplete List of People I Wish Were Indian' and the formula 'Poetry = anger x imagination.' Other poems tell of 'Migration, 1902' and 'Sex in Motel Rooms'; describe 'How It Happens' and 'Second Grief'; and develop 'The Anatomy of Mushrooms.' Alexie's latest is as powerful and challenging as his previous excellent books, and should only add readers to his ever-widening audience"—Publishers Weekly.

Noticed initially as a Native American author, Sherman Alexie has since achieved a reputation as a significant figure in the American literary landscape. The essays in this volume have been chosen to address the interests and needs of a broad range of readers, from students seeking further insights to teachers who hope to deepen their understanding to scholars who wish to join a conversation among their peers. In his citation of War Dances as the winner of the PEN/Faulkner Award, poet Al Young said that the book ""taps every vein and nerve, every tissue, every issue that quickens the current blood-pulse,"" lauding Alexie for ""the caring, eye-opening beauty of this rollicking, bittersweet gem of a book."" The intention and purpose of this volume is to provide critical insights worthy of that achievement. Alexie's work is the imaginative expression of his eventful life. This volume, therefore, includes an insightful biographical sketch of Alexie which provides a guide to many of the most noteworthy incidents and circumstances of his life. The combination of controversy, compelling writing, and a dynamic personality has projected Alexie into a unique position in contemporary American culture, and his work has reached a much wider range of readers than would have been anticipated by readers of his first poems. The course of critical scrutiny that followed the publication of Alexie's books is ably assessed in an essay that reaches back to Alexie's early life to lead into the beginning of his appearance in print. It continues as he becomes a part of a visible literary landscape and then a prominent point in its topography. A continuing controversy, highlighted by Alexie's refusal to be restricted to any projection of American Indian reality other than his own, is given expression by an essay that asks, ""What right does Alexie have to share with general readers our most painful realities of poverty and social dysfunction?"" The exploration of this question is an illustration of one of the most provocative and persistent issues that Alexie's work has emphasised. Other essays explore impact of atrocities on his writing, the identity of the American Indian in modern writing and the author's broadening perspective on the human condition. Alexie's poetry receives specific attention in a number of essays. His poetry, the genre acknowledged by the author as the ""original fire"" that ignited his creative flame, is central to understanding his other work. For instance, Alexie ""modifies the English sonnet"" to negotiate ""between his cultural inheritances,"" one essayist stresses the ways Alexie restructures the sonnet to ""upset the reader's expectation of resolution and thus promote the idea that the Indian dilemma is never a matter that can be easily or hastily solved."" His contemporary critical reception is explored. The role of music in his prose is examined. Storytelling and oral traditions are investigated in his work and his work in films is discussed.