Social Justice Poetry

Through the support of PEN Center USA, Iranian American poet and translator Sholeh Wolpé has brought together sixty American poets to address the world through poems that not only meditate on the principles of freedom, justice, and tolerance but also boldly and directly address specific countries. Natasha Trethewey, Robert Bly, Rita Dove, Yusef Komunyakaa, Galway Kinnell, Philip Levine, Carolyn Forché, Billy Collins, Jorie Graham, Naomi Shihab Nye, and Quincy Troupe are just some of the poets whose work is gathered in this powerful new collection. These poets speak out in the tradition of all poets who speak out in uprisings, seeking to change the landscape despite an environment of oppression, torture, and denial of basic human rights. All poems included were gifted to this anthology, which will benefit PEN Center USA's Freedom to Write program.

A rousing collection of poems by an international array of poets, mixing well-known poets with up-and-coming talent. In all its forms, poetry has a vitality that reflects well the range of voices involved in the fight for human rights. The work collected here covers issues of equality, freedom of speech, peace, dignity, respect and justice. They are as much about assertiveness and hope as they are about injustice and the outrages that scar human history.

Bearing witness to extremity--whether of war, torture, exile, or repression--the volume encompasses more than 140 poets from five continents, over the span of this century from the Armenian genocide to Tiananmen Square.

"In our time there has been no poet who revived human hearts and spirits more convincingly than William Stafford." --Naomi Shihab Nye Some time when the river is ice ask me mistakes I have made. Ask me whether what I have done is my life. --from "Ask Me" In celebration of the poet's centennial,Ask Me collects one hundred of William Stafford's essential poems. As a conscientious objector during World War II, while assigned to Civilian Public Service camps Stafford began his daily writing practice, a lifelong early-morning ritual of witness. His poetry reveals the consequences of violence, the daily necessity of moral decisions, and the bounty of art. Selected and with a note by Kim Stafford,Ask Me presents the best from a profound and original American voice.

An anthology of fourteen stories by young adult authors from around the world, on such themes as asylum, law, education, and faith, compiled in honor of the sixtieth anniversary of the Universal Declaration of Human Rights.

"When we made our call for submissions for an anthology of poems in defense of human rights, the allegations of torture were foremost in our minds. We knew people were outraged, saddened, profoundly moved and ashamed. But we also wanted to reach people who had suffered violations of their own rights from circumstances across the globe, or whose families had, or for whom preventing or healing these violations had become a life's work. We drafted our call loosely: We are increasingly witness to torture, terrorisms and other violations of human rights at unprecedented degrees. What do our instincts tell us and what is our response to these violations? What is our vision of a future wherein human rights are not only respected but expanded? What we received were both first hand accounts of violation-see prisoner Adrian English's "Raped Man's Stream of Consciousness," or Farnoosh Moshiri's poem recounting the terror of giving birth in Iran, or Li-Young Lee's "Self-Help for Fellow Refugees"-and responses from people who feel struck personally by the blows enacted on others: To speak for, to speak as, and to speak against. We were surprised at the range of issues spoken to by the poets. While torture remained a critical topic, as well as issues at stake in the Iraq War, there were also poems that addressed immigrant rights, prisoners' rights, the Holocaust, the wars in Cambodia, Vietnam, Serbia, South America, Palestine and Israel. We received poems that spoke of suicide bombing, violence against women, the aftermath of 9/11, and outlawing marriage for gay Americans. "We were also moved at the range of experience among the responders: homeless advocates, civil rights workers, clinical social workers, medics, the mentally ill, veterans, humanitarian aid workers, teachers, conscientious objectors, and, of course, many writers who work and fight daily for social justice in their communities. We are particularly proud of the number of Native American poets included in this anthology, something unusual in anthologies of this sort. It seemed to us impossible to collect a group of poems on human rights issues if we didn't acknowledge the far reaching and often appalling violations that have taken place in our own country, upon the first citizens of this land who belong to five-hundred-sixty-two federally recognized tribes who function as sovereign nations. It is the acknowledgement of this history, among others, that will allow us to move forward as a country with a clearer conscience, extending our hand to other nations and other peoples who continue to endure neglect and abuse."?Melissa Kwasny & M.L. Smoker

Holocaust Poetryis a lasting and solemn tribute to the memory of the past and to the hope of the future. Behold, God of Abraham, God of mercy, Open your eyes as you have opened mine, Open your eyes and see what I have seen... --Elie Wiesel She felt a kind of envy for Those who stood naked in their truth: Where to be one of her people was To be one of those millions killed. --Stephen Spender And death looks on with a casual eye and picks at the dirt under his fingernail. --Anne Sexton Consider whether this is a man. Who labors in the mud Who knows no peace Who fights for a crust of bread Who dies at a yes or a no. --Primo Levi The volume includes 119 poems and the voices of 59 poets.

For over two centuries, black poets have created verse that captures the sorrows, joys, and triumphs of the African-American experience. Reflecting their variety of visions and styles, The Oxford Anthology of African-American Poetry aims to offer nothing less than a definitive literaryportrait of a people.Here are poems by writers as different as Paul Laurence Dunbar and W.E.B. Du Bois; Countee Cullen and Langston Hughes; Gwendolyn Brooks and Amiri Baraka; Rita Dove and Harryette Mullen; Yusef Komunyakaa and Nathaniel Mackey. Acclaimed as a biographer and editor, Arnold Rampersad groups thesepoems as meditations on key issues in black culture, including the idea of Africa; the South; slavery; protest and resistance; the black man, woman, and child; sexuality and love; music and religion; spirituality; death and transcendence.With their often starkly contrasting visions and styles, these poets illuminate some of the more controversial and intimate aspects of the black American experience. Poetry here is not only or mainly a vehicle of protest but also an exploration of the complex and tender subtleties of blackculture. One section offers tributes to celebrated leaders such as Sojourner Truth and Malcolm X, but many more reflect the heroism compelled by everyday black life. The variety of poetic forms and language captures the brilliant essence of English as mastered by black Americans dedicated to theart of poetry.Loving and yet also honest and unsparing, The Oxford Anthology of African-American Poetry is for readers who treasure both poetry and the genius of black America.

Praise for Aracelis Girmay: "[Girmay's] every loss--she calls them estrangements--is a yearning for connection across time and place; her every fragment is a bulwark against ruin." --O, The Oprah Magazine Taking its name from the moon's dark plains, misidentified as seas by early astronomers,the black mariainvestigates African diasporic histories, the consequences of racism within American culture, and the question of human identity. Central to this project is a desire to recognize the lives of Eritrean refugees who have been made invisible by years of immigration crisis, refugee status, exile, and resulting statelessness. The recipient of a 2015 Whiting Award for Poetry, Girmay's newest collection elegizes and celebrates life, while wrestling with the humanistic notion of seeing beyond: seeing violence, seeing grace, and seeing each other better. "to the sea" great storage house, history on which we rode, we touched the brief pulse of your fluttering pages, spelled with salt & life, your rage, your indifference your gentleness washing our feet, all of you going on whether or not we live, to you we bring our carnations yellow & pink, how they float like bright sentences atop your memory's dark hair Aracelis Girmayis the author of three poetry collections,the black maria;Kingdom Animalia, which won the Isabella Gardner Award and was a finalist for the NBCC Award; andTeeth. The recipient of a 2015 Whiting Award, she has received grants and fellowships from the Jerome, Cave Canem, and Watson foundations, as well as Civitella Ranieri and the NEA. She currently teaches at Hampshire College's School for Interdisciplinary Arts and in Drew University's low residency MFA program. Originally from Santa Ana, California, she splits her time between New York and Amherst, Massachusetts.

Roy McFarlane's second poetry collection The Healing Next Time is a timely and unparalleled book of interwoven sequences on institutional racism, deaths in custody and of a life story set against the ever-changing backdrop of Birmingham at the turn of the millennium. Here forms a potent and resolute narrative in lyrical and multidimensional poems which refuse to look the other way or accept the whitewashed version of events. Courageous, rageful and mournful, these are poems of Black history and Black presence, poems of witness and poems of activism. McFarlane's intricate lines make record of injustice and mark the names of those who have lost their lives and dignity to prejudice and hatred. The Healing Next Time also asks vital questions of the future, and of the reader - and reminds us where the power to change things lies. It is also a poetry of personal discovery, of revelation and resilience - where the influence of Jazz and of James Baldwin infuse and shape this unique, remarkable book.

Winner of the 2017 Cave Canem Poetry Prize Set against the backdrop of the Obama presidency, Julian Randall's Refuse documents a young biracial man's journey through the mythos of Blackness, Latinidad, family, sexuality and a hostile American landscape.  Mapping the relationship between father and son caught in a lineage of grief and inherited Black trauma, Randall conjures reflections from mythical figures such as Icarus, Narcissus and the absent Frank Ocean.  Not merely a story of the wound but the salve, Refuse  is a poetry debut that accepts that every song must end before walking confidently into the next music  

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker,Boston Globe,The Atlantic,BuzzFeed, NPR.Los Angeles Times, Publishers Weekly,Slate,Time Out New York,Vulture,Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking bookDon't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry,Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

In a reflective tribute to the African-American community of old, noted poet Ntozake Shange recalls her childhood home and the close-knit group of innovators that often gathered there. These men of vision, brought to life in the majestic paintings of artist Kadir Nelson, lived at a time when the color of their skin dictated where they could live, what schools they could attend, and even where they could sit on a bus or in a movie theater. Yet in the face of this tremendous adversity, these dedicated souls and others like them not only demonstrated the importance of Black culture in America, but also helped issue in a movement that "changed the world." Their lives and their works inspire us to this day, and serve as a guide to how we approach the challenges of tomorrow.

Presents the work of 35 African American poets who wrote, or are still writing, in the postwar era.

Finalist for the 2017 National Book Award for Poetry Winner of the Lannan Literary Award for Poetry (2017) Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently examined connections between racism and love. A reader's companion is available at wesleyan.edu/wespress/readerscompanions.

With Loose Change, James E. Cherry explores those things that  make us human. These poems are visceral, honest and possess a vulnerability that will allow you access into the world each day.  In  this collection of verse, very little is exempt from examination.   Family, politics, race, art, aging and much more are placed under the  poet's mircoscopic eye to be clearly defined.  But these are more than mere analytical explorations. Its Cherry's ability to interpret those findings and how they have impacted his life that moves this work beyond  the personal into the universal. He has managed to take the pedestrian and left us with a remarkable second collection of poetry.  From the discordant aspects of his life, a melodious solo rises. You'll continue to pat your feet long after the final page is finished.

In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos", to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.

Chosen by the American Library Association as a 2012 Notable Book in Poetry. Beauty is a Verb is a ground-breaking anthology of disability poetry, essays on disability, and writings on the poetics of both. Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace. "[BEAUTY IS A VERB] is going to be one of the defining collections of the 21st century...the discourse between ability, identity & poetry will never be the same." --Ron Silliman, author ofIn The American Tree "This powerful anthology succeeds at intimately showing...disability through the lenses of poetry. What emerges from the book as a whole is a stunningly diverse array of conceptions of self and other."< --Publishers Weekly, starred review From "Beauty and Variations" by Kenny Fries: How else can I quench this thirst? My lips travel down your spine, drink the smoothness of your skin. I am searching for the core: What is beautiful? Who decides? Can the laws of nature be defied? Your body tells me: come close. But beauty distances even as it draws me near. What does my body want from yours? My twisted legs around your neck. You bend me back. Even though you can't give the bones at birth I wasn't given, I let you deep inside. You give me--what? Peeling back my skin, you expose my missing bones. And my heart, long before you came, just as broken. I don't know who to blame. So each night, naked on the bed, my body doesn't want repair, but longs for innocence. If innocent, despite the flaws I wear, I am beautiful. Sheila Blackis a poet and children's book writer. In 2012, Poet Laureate Philip Levine chose her as a recipient of the Witter Bynner Fellowship. Disability activistJennifer Bartlettis a poet and critic with roots in the Language school. Michael Northenis a poet and the editor ofWordgathering: A Journal of Poetics and Disability.

No Walls of Stone is a unique collection of short fiction, essays, verse, and drama entirely by deaf and hard of hearing writers. This volume presents a rich variety of superb work by such well-known authors as Robert Panara, Anne McDonald, David Wright, and Jack Clemo, and exciting contributions by other previously unpublished, gifted writers.

Lydia Huntley was born in 1791 in Norwich, CT, the only child of a poor Revolutionary war veteran. But her father's employer, a wealthy widow, gave young Lydia the run of her library and later sent her for visits to Hartford, CT. After teaching at her own school for several years in Norwich, Lydia returned to Hartford to head a class of 15 girls from the best families. Among her students was Alice Cogswell, a deaf girl soon to be famous as a student of Thomas Hopkins Gallaudet and Laurent Clerc.        Lydia's inspiration came from a deep commitment to the education of girls and also for African American, Indian, and deaf children. She left teaching to marry Charles Sigourney, then turned to writing to support her family, publishing 56 books, 2,000 magazine articles, and popular poetry. Lydia Sigourney never abandoned her passion for deaf education, remaining a supporter of Gallaudet's school for the deaf until her death. Yet, her contributions to deaf education and her writing have been forgotten until now.        All of Lydia Sigourney's of Lydia Sigourney's work on the nascent Deaf community is presented in this new volume. Her writing intertwines her mastery of the sentimentalism form popular in her day with her sharp insights on the best ways to educate deaf children. In the process, Mrs. Sigourney of Hartford reestablishes her rightful place in history.

Poetry. "This is no ordinary love story. Fries has recorded all the forward, backward and sideways movements we make as we struggle with despair and hope, denial and fear, the unanswerable questions of an epidemic. These poems become tools which can help us survive" -Ruth L. Schwartz, San Francisco Bay Times.

Floyd Skloot's eighth poetry collection, Approaching Winter, evokes the fluid and dynamic nature of memory as it ebbs and floods through our daily lives. Here the real and the imagined intermingle freely: In one poem, the cry of eagles reflects the wails of an infant daughter, long since grown and gone; in another, an aging Samuel Beckett prepares to throw the first pitch at Ebbets Field. Traveling from Portland's Willamette River, which borders Skloot's home, to the hushed landscapes of the afterlife, the poems in this collection acknowledge the passage of time and the inevitable darkness that lies ahead. Yet Skloot also remains attuned to the urgency of the present moment, as he admires the plumage of the local birds in the short days before their journey south for the winter. By turns whimsical and meditative, Approaching Winter gives voice to the struggle to find coherence in a fragmented world.

An NPR Favorite Book of 2019 In her third collection of poems, Jillian Weise delivers a reckoning to the ableism of the Western Canon. These poems investigate and challenge the ways that nondisabled writers have appropriated disabled bodies, from calling out William Carlos Williams to biohacking Raymond Carver's "Cathedral" to chronicling the ongoing headlines of violence against disabled women. Part invective, part love poem, Cyborg Detective holds a magnifying glass to the marginalization and fetishization of disabled people while claiming space and pride for the people who already use technology and cybernetic implants every day.

Poetry. From EXODUS to Eliot's THE WASTE LAND the desert has been the site for spiritual quests that balance a deep mourning for the human condition against a longing for joy and transcendence. I see this same alternation in Kenny Fries's DESERT WALKING, where the American wilderness fosters the poet's quest, its non-human austerity tempered by the presence and solace of a beloved camerado in the tradition of Whitman -- Alfred Corn.

"The work of a mature poet.  Floyd Skloot commands not only individual pieces but orchestrates a larger composition as varied and as unified as any symphony."--Neal Bowers "A fine collection, full of adroitly disposed formal variety, and modest about itself, its passion, its giving back. . . . Floyd Skloot's poems--about family, places, his illness (CFS)--are full of the details of everyday life:  sourdough loaves, a lemonwood bow, cracked crab, winter steelhead, a CT-scan machine."--Dabney Stuart "In Music Appreciation there are early poems, maturing to meet the usual growing demands.  Later poems deepen quickly, to deal with an unusual darkness.  Finally there is the record of a special ordeal, direct and without bitterness, dealing lightly with the intimate enemy.  A notable book."--Thomas Kinsella "These elegantly phrased poems score the song lines of Floyd Skloot's life's journey:  the opening discords of a shattered family life--its sudden harmonies borrowed from the sounds of romantic melodies--and the poet's entry into the 'wild light' named love.  In mid-passage, the virus of illness turns the search for key listenings still more inward as the poet seeks to orchestrate his chronically fatigued body, soul, and spirit to wholeness."--Charlene Breedlove Music Appreciation, written over twenty years, is Floyd Skloot's first book of poetry.  Where has he been?  Writing novels, for one thing, and perhaps that explains the beautiful structure of Music Appreciation.  In poem after poem, Skloot moves effortlessly from a boy's to a man's search for meaning in a life that has contained angry parents and a debilitating disease as well as the joys of marriage and fatherhood.  He seems to know instinctively which memory or observation will make a good poem, and he writes in language that is direct but dense with sensuous imagery and suffused with love.  Here, from "Twilight Time," is the boy's fantasy of his parents dancing:   My mother softly sets the needle arm down and turns to smile at him through the static, spreading her feathered boa like angels' wings before flying into my father's arms. His easy chair has floated away, the sea of carpet has parted and oak dark as the earth's heart holds them. The consonants flow, the vowels jostle and glide, the words themselves are dancing.  For in addition to the qualities of toughness and vulnerability, Floyd Skloot has the gift essential to a true poet, the gift of perfect pitch.   Floyd Skloot is the author of two novels, Pilgrim's Harbor and Summer Blue, and of more than 250 poems, essays, and stories published in such magazines as Harper's, Poetry, Gettysburg Review, and Virginia Quarterly Review.  He has received the Emily Dickinson Award of the Poetry Society of America, the Kansas Quarterly/Kansas Arts Commission Fiction Award, and the Greensboro Review poetry award.  An essay of his is included in The Best American Essays of 1993.  He lives in Amity, Oregon.

Concerned with physical experience, pain, and disability, Veil and Burn illuminates an intense desire to feel through the Other, embrace it, become it, and in the transformation, to understand the suffering body. In poems about animals, artifacts, and monsters, Lambeth displays a fascination for all bodies while exploring their pain, common fate, alienation, and abilities. Hovering between poem and prose fragment, between the self and fellow creatures, Laurie Clements Lambeth celebrates physical sensation, imbuing it with lyric shape, however broken, however imprisoned the shape may be.

As America and the world grapple with the consequences of global environmental change, writer and activist Bill McKibben offers this unprecedented, provocative, and timely anthology, gathering the best and most significant American environmental writing from the last two centuries. Classics of the environmental imagination, the essays of Henry David Thoreau, John Muir, and John Burroughs; Aldo Leopold's A Sand County Almanac; Rachel Carson's Silent Spring - are set against the inspiring story of an emerging activist movement, as revealed by newly uncovered reports of pioneering campaigns for conservation, passages from landmark legal opinions and legislation, and searing protest speeches. Here are some of America's greatest and most impassioned writers, taking a turn toward nature and recognizing the fragility of our situation on earth and the urgency of the search for a sustainable way of life. Thought-provoking essays on overpopulation, consumerism, energy policy, and the nature of nature, join ecologists - memoirs and intimate sketches of the habitats of endangered species. The anthology includes a detailed chronology of the environmental movement and American environmental history, as well as an 80-page color portfolio of illustrations.

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.

Poems vivifying nature have gripped people for centuries. From Biblical times to the present day, poetry has continuously drawn us to the natural world. In this thought-provoking book, John Felstiner explores the rich legacy of poems that take nature as their subject, and he demonstrates their force and beauty. In our own time of environmental crises, he contends, poetry has a unique capacity to restore our attention to our environment in its imperiled state. And, as we take heed, we may well become better stewards of the earth. In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets—from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder—have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale. Sixty color and black-and-white images, many seen for the first time, bear out visually the environmental imagination this book discovers—a poetic legacy more vital now than ever.

Definitive and daring,The Ecopoetry Anthology is the authoritative collection of contemporary American poetry about nature and the environment--in all its glory and challenge. From praise to lament, the work covers the range of human response to an increasingly complex and often disturbing natural world and inquires of our human place in a vastness beyond the human. To establish the antecedents of today's writing,The Ecopoetry Anthology presents a historical section that includes poetry written from roughly the mid-nineteenth to the mid-twentieth century. Iconic American poets like Walt Whitman and Emily Dickinson are followed by more modern poets like Wallace Stevens, William Carlos Williams, Ezra Pound, and even more recent foundational work by poets like Theodore Roethke, Elizabeth Bishop, Robert Hayden, and Muriel Rukeyser. With subtle discernment, the editors portray our country's rich heritage and dramatic range of writing about the natural world around us.

Diaspora constitutes a powerful descriptor for the modern condition of the contemporary poet, the spokesperson for the psyche of America. The poems in American Diaspora; Poetry of Displacement focus on the struggles and pleasures of creating a home-physical and mental-out of displacement, exile, migration, and alienation. To fully explore the concept of diaspora, the editors have broadened the scope of their definition to include not only the physical act of moving and immigration but also the spiritual and emotional dislocations that can occur-as for Emily Dickinson and other poets - even in a life spent entirely in one location. More than one hundred and thirty contemporary poets reflect and mediate, rage and bless, as they tell their own stories. In short, this is an anthology of American poetry that draws upon the sensitivity, tenderness, rebelliousness, patience, and spirituality that point to the future of our nation.

Immigration is the essential American story. From London or Lvov, Bombay or Beijing, Dublin or Dusseldorf, people have come to America to remake themselves, their lives, and their identities. Despite political obstacles, popular indifference, or hostility, they put down roots here, and their social, cultural, and entrepreneurial energies helped forge the open and diverse society we live in. The history of American immigration has often been told by those already here. Becoming Americans tells this epic story from the inside, gathering for the first time over 400 years of writing--from seventeenth-century Jamestown to contemporary Brooklyn and Los Angeles--by first-generation immigrants about the immigrant experience. In sum, over eighty writers create a vivid, passionate, and revealing firsthand account of the challenges and aspirations that define our dynamic multicultural society. In nearly 100 selections--poems, stories, novel excerpts, travel pieces, diary entries, memoirs, and letters--Becoming Americans presents the full range of the experience of coming to America: the reasons for departure, the journey itself, the shock and spectacle of first arrival, the passionate ambivalence toward the old country and the old life, and above all the struggle with the complexities of America. Arranged in chronological order by date of arrival, this unprecedented collection presents a history of the United States that is both familiar and surprisingly new, as seen through the fresh eyes and words of newcomers from more than forty different countries.

Rooted in Gloria Anzald#65533;a's experience as a Chicana, a lesbian, an activist, and a writer, the groundbreaking essays and poems in this volume profoundly challenged how we think about identity. Borderlands/La Frontera remapped our understanding of what a "border" is, seeing it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us. This twentieth-anniversary edition features new commentaries from prominent activists, artists, and teachers on the legacy of Gloria Anzald#65533;a's visionary work.

Five years have passed since the U.S. and its allies invaded Iraq, and true democracy has yet to come. Four million Iraqis have been displaced; half are living in desolate tent camps, the others mostly stuck in Jordan and Syrian. All face uncertain futures. In this book, Deborah Ellis turns her attention to the war's most tragic victims -- Iraqi children. She interviews more than 20 young Iraqis, mostly refugees living in Jordan, but also a few trying to build new lives in North America. Some families left Iraq with money; others are penniless, ill, or disabled. Most of the parents are working illegally or not at all, and the fear of deportation is a constant threat. The children speak for themselves, with little editorial comment, and their stories are frank, harrowing, and often reveal a surprising resilience in surviving the consequences of a war in which they played no part.

Named one of the 100 Notable Books of the Year byThe New York Times. Winner of the National Book Award for Poetry Named byO as one of the "20 Books of Poetry Everyone Should Own" "The poems inMigration speak a life-long belief in the power of words to awaken our drowsy souls and see the world with compassionate interconnection."--National Book Award judges' statement "The publication of W. S. Merwin's selected and new poems is one of those landmark events in the literary world."--Los Angeles Times W. S. Merwin is the most influential American poet of the last half-century--an artist who has transfigured and reinvigorated the vision of poetry for our time.Migration: New and Selected Poemsis that case. This 540-page distillation--selected by Merwin from fifteen diverse volumes--is a gathering of the best poems from a profound body of work, accented by a selection of distinctive new poems. As an undergraduate at Princeton University, Merwin was advised by John Berryman to "get down on your knees and pray to the muse every day."Migration represents the bounty of those prayers. Over the last fifty years, Merwin's muse has led him beyond the formal verse of his early years to revolutionary open forms that engage a vast array of influences and possibilities. As Adrienne Rich wrote of Merwin's work: "I would be shamelessly jealous of this poetry, if I didn't take so much from it into my own life." W. S. Merwin is the author of over fifty books of poetry, prose, and translation. He lives in Hawaii, where he raises endangered palm trees.

The rich, varied work of 36 contemporary Native American poets of stature is sampled in this welcome anthology.

Kenneth Rosen's haunting volume of poetry proves that the powerful and moving voice of Native Americans must be heard. More than two hundred poems embrace anguish, pride, and hope, representing twenty-four tribal affiliations, including, Sioux, Pawnee, Choctaw, Seminole, Laguna Pueblo, Cherokee, Anishinabe, Mohawk, Seneca, and Seminole. An Indian leader once asked a U.S. president: "What visions, under the white man's way, are offered that will cause today's children to want tomorrow to come?" In a sense, each poem in this volume is an attempt to confront and answer that very question.

Dark. Sweet. offers readers the sweep of LindaHogan's work--environmental and spiritual concerns, her Chickasaw heritage--in spare, elemental, visionary language. From "Those Who Thunder": Those who thunder have dark hair and red throw rugs. They burn paper in bathroom sinks. Their voices refuse to suffer and their silences know the way straight to the heart; it's bus route number eight. Linda Hogan is the recipient of the 2007 Mountains and Plains Booksellers Spirit of the West Literary Achievement Award. She is also a recipient of the 2016 PEN New England Henry David Thoreau Prize. Her poetry has received an American Book Award, Colorado Book Award, and a National Book Critics Circle nomination.

Favor of Crows is a collection of new and previously published original haiku poems over the past forty years. Gerald Vizenor has earned a wide and devoted audience for his poetry. In the introductory essay the author compares the imagistic poise of haiku with the early dream songs of the Anishinaabe, or Chippewa. Vizenor concentrates on these two artistic traditions, and by intuition he creates a union of vision, perception, and natural motion in concise poems; he creates a sense of presence and at the same time a naturalistic trace of impermanence. The haiku scenes in Favor of Crows are presented in chapters of the four seasons, the natural metaphors of human experience in the tradition of haiku in Japan. Vizenor honors the traditional practice and clever tease of haiku, and conveys his appreciation of Matsuo Basho and Yosa Buson in these two haiku scenes, "calm in the storm / master basho soaks his feet /water striders," and "cold rain / field mice rattle the dishes / buson's koto." Vizenor is inspired by the sway of concise poetic images, natural motion, and by the transient nature of the seasons in native dream songs and haiku. "The heart of haiku is a tease of nature, a concise, intuitive, and an original moment of perception," he declares in the introduction to Favor of Crows. "Haiku is visionary, a timely meditation and an ironic manner of creation. That sense of natural motion in a haiku scene is a wonder, the catch of impermanence in the seasons." Check for the online reader's companion at favorofcrows.site.wesleyan.edu.

What has nourished native peoples on this continent since time immemorial, say the editors of this volume, are wellsprings of creativity. "Down at the source," Havasupai singer Dan Hanna assures us, "a spring will always be there." The creative wellspring of American Indian culture is well represented in this anthology, a compilation of stories, songs, poems, and other writings taken from twenty-five years of Sun Tracks: An American Literary Series. Editors Larry Evers and Ofelia Zepeda have gathered the contributions of nineteen Native Americans in compiling this collection. Some are stories from oral traditions, others are autobiographical writings, and some are songs or poems. But all are contemporary, and all have as a unifying element a strong central theme in Native American writing: home places. Some of the contributors define the home place as a center of established values, while others speak of its cultural or physical geography. Healing powers are often found at home places. Home is a place to defend against those who would reduce it to insignificance, a place to reclaim, or a place reclaimed but not yet realized. One writer recalls a home that must be pulled from deep beneath the waters of the Columbia River. By listening to these stories of home places, the reader can gain a new appreciation of the contemporary verbal expressions of Native American communities. Home Places, note the editors, "asks you to listen to Native American signers, storytellers, and writers, and in this way to celebrate the wellsprings of creativity that continue to flow from the home places in Native America."

Sacred and secular poems of the Creek Tribe.

To visitors it is Canyon de Chelly, a scenic wonder of the Southwest whose vistas reward travelers willing to venture off the beaten track. But to the Diné, it is Tséyi', "the place deep in the rock," a site that many have long called home. Now from deep in the heart of the Diné homeland comes an extraordinary book, a sensitive merging of words and images that reflects the sublime spirit of Canyon de Chelly. Diné poet Laura Tohe draws deeply on her heritage to create lyrical writings that are rooted in the canyon but universal in spirit, while photographer Stephen Strom captures images that reveal the very soul of this ancient place. Tohe's words take readers on a journey from the canyon rim down sheer sandstone walls to its rich bottomlands; from the memory of Kit Carson's rifle shots and the forced march of the Navajo people to the longings of modern lovers. Her poems view the land through Diné eyes, blending history, tradition, and personal reflection while remaining grounded in Strom's delicate yet striking images. These photographs are not typical of most southwestern landscapes. Strom's eye for the subtleties and mysticism of the canyon creates powerful images that linger in the mind long after the pages are turned, compelling us to look at the earth in new ways. Tséyi' / Deep in the Rock is a unique evocation of Canyon de Chelly and the people whose lives and spirits are connected to it. It is a collaboration that conjures the power of stories and images, inviting us to enter a world of harmony and be touched by its singularly haunting beauty.

A Xicana Codex of Changing Consciousness features essays and poems by Cherríe L. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, comadre, and lesbian lover looks back on the first ten years of the twenty-first century. She considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Moraga describes her deepening grief as she loses her mother to Alzheimer's; pays poignant tribute to friends who passed away, including the sculptor Marsha Gómez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde; and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldúa. Thirty years after the publication of Anzaldúa and Moraga's collection This Bridge Called My Back, a landmark of women-of-color feminism, Moraga's literary and political praxis remains motivated by and intertwined with indigenous spirituality and her identity as Chicana lesbian. Yet aspects of her thinking have changed over time. A Xicana Codex of Changing Consciousness reveals key transformations in Moraga's thought; the breadth, rigor, and philosophical depth of her work; her views on contemporary debates about citizenship, immigration, and gay marriage; and her deepening involvement in transnational feminist and indigenous activism. It is a major statement from one of our most important public intellectuals.

A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the eighteenth century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars. Both entertaining and informative, Classical Arabic Literature ranges from the early Bedouin poems with their evocation of desert life to refined urban lyrical verse, from tender love poetry to sonorous eulogy and vicious lampoon, and from the heights of mystical rapture to the frivolity of comic verse. Prose selections include anecdotes, entertaining or edifying tales and parables, a fairy-tale, a bawdy story, samples of literary criticism, and much more. With this anthology, distinguished Arabist Geert Jan van Gelder brings together well-known texts as well as less familiar pieces new even to scholars. Classical Arabic Literature reveals the rich variety of pre-modern Arabic social and cultural life, where secular texts flourished alongside religious ones. This masterful anthology introduces this vibrant literary heritage--including pieces translated into English for the first time--to a wide spectrum of new readers. An English-only edition.

In Atrium, award-winning Palestinian-American poet Hala Alyan traces lines of global issues in personal spaces, with fervently original imagery, and a fierce passion and intense intimacy that echoes long after initial reading. The book received the 2013 Arab American Book of the Year Award for Poetry, an astounding achievement for a first collection. In addition, Alyan was recently tapped as a finalist in the Nazim Himet Poetry Competition. Already in her young career, Alyan has etched her mark on other award-winning poets who are universal in their praise: "Don't miss the dazzling Hala Alyan. Wow. When she says 'the poetry like a spear,' she isn't kidding." --Naomi Shihab Nye; "Hala Alyan's poems startle us with their beautiful, enigmatic images and capture us with their passionate engagement with the world. A powerful debut." --Chitra Divakaruni; "For all the stunning angularity in this vision, we do not doubt that what we are seeing and sensing here is a surprising, sharp-edged sense of the real, of a world that had been there all along, just waiting for this poet and these poems to reveal. Start to finish, these poems convey a singular vision and represent an important new voice in the international poetry arena." --Fred Marchant Hala Alyan's Atrium is truly a remarkable debut by a poet of stunning virtuosity and range.

"Tariq Touré is Baltimore's Black revolutionary voice. In the tradition of Amiri Baraka and James Baldwin, Touré masterfully uses his pen to attack white supremacy, expose systemic racism, and highlight the beauty that is the Black community. Touré doesn't hide behind his own articles, academia, social media or fake non profits-- no, Toure is one of the few real ones, he's in the street fighting for us, living what he pens and using a cocktail of activism and art to make the world a better place for all of us. Tariq Touré is our revolutionary voice and we are beyond proud of the way that he is representing us." D. Watkins, Author of "The Beastside: Living and Dying while Black in America" Tariq Touré has combined remnants of a childhood in West Baltimore, maturation and rhythm in a concisely riveting collection of poems. Along with the photography of Shannon Wallace and Kyle Pompey Touré grabs takes the reader on a walk through Baltimore and his deepest experiences.

The collected poems dispel the notion that there is one correct way to be a Muslim by holding space for multiple, intersecting identities while celebrating and protecting those identities. Halal If You Hear Mefeatures poems by Safia Elhillo, Fatimah Asghar, Warsan Shire, Tarfia Faizullah, Angel Nafis, Beyza Ozer, and many others. Fatimah Asgharis the creator of the Emmy-Nominated web seriesBrown Girls, now in development for HBO. She is the author ofIf They Come For Usand a recipient of a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is a member of the Dark Noise Collective and a Kundiman fellow. In 2017, she was listed onForbes's 30 Under 30 list. Safia Elhillois the author ofThe January Children. Sudanese by way of Washington, DC and a Cave Canem fellow, she holds an MFA from the New School. In 2018, she was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.

An exquisite and humane collection set to leave its mark on American poetics of the body and the body politic. In Footnotes in the Order of Disappearance, Fady Joudah has written love poems to the lovely and unlovely, the loved and unloved. Here he celebrates moments of delight and awe with his wife, his mentors, his friends, and the beauty of the natural world. Yet he also finds tenderness for the other, the dead, and the disappeared, bringing together the language of medicine with the language of desire in images at once visceral and vulnerable. A symptomatic moon. A peach, quartered like a heart, and a heart, quartered like a peach. "I call the finding of certain things loss." Joudah is a translator between the heart and the mind, the flesh and the more-than-flesh, the word body and the world body--and between languages, with a polyglot's hyperresonant sensibility. In "Sagittal Views," the book's middle section, Joudah collaborates with Golan Haji, a Kurdish Syrian writer, to foreground the imaginative act of constructing memory and history. Together they mark the place the past occupies in the body, the cut that "runs deeper than speech." Generous in its scope, inventive in its movements and syntax, Footnotes in the Order of Disappearance is a richly rewarding and indispensable collection.

In her dedication Safia Elhillo writes, "The January Children are the generation born in Sudan under British occupation, where children were assigned birth years by height, all given the birth date January 1." What follows is a deeply personal collection of poems that describe the experience of navigating the postcolonial world as a stranger in one's own land. The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan's history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani--an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds. No longer content to accept manmade borders, Elhillo navigates a new and reimagined world. Maintaining a sense of wonder in multiple landscapes and mindscapes of perpetually shifting values, she leads the reader through a postcolonial narrative that is equally terrifying and tender, melancholy and defiant. 

My verse resembles the bread of Egypt--night passes over it, and you cannot eat it any more. Devour it the moment it is fresh, before the dust settles upon it. Its place is the warm climate of the heart; in this world it dies of cold. Like a fish it quivered for an instant on dry land, another moment and you see it is cold. Even if you eat it imagining it is fresh, it is necessary to conjure up many images. What you drink is really your own imagination; it is no old tale, my good man. Jalal al-Din Rumi (1207-73), legendary Persian Muslim poet, theologian, and mystic, wrote poems acclaimed through the centuries for their powerful spiritual images and provocative content, which often described Rumi's love for God in romantic or erotic terms. His vast body of work includes more than three thousand lyrics and odes. This volume includes four hundred poems selected by renowned Rumi scholar A. J. Arberry, who provides here one of the most comprehensive and adept English translations of this enigmatic genius. Mystical Poems is the definitive resource for anyone seeking an introduction to or an enriched understanding of one of the world's greatest poets.   "Rumi is one of the world's greatest lyrical poets in any language--as well as probably the most accessible and approachable representative of Islamic civilization for Western students."--James W. Morris, Oberlin College  

This remarkable collection of poems, meditations, fragments, and journal entries was Mahmoud Darwish's last volume to come out in Arabic. This River is at once lyrical and philosophical, questioning and wise, full of irony, resistance, and play. Darwish's musings on unrest and loss dwell on love and human- ity; myth and dream are inseparable from truth. Throughout this personal collection, Darwish returns frequently to his ongoing and often lighthearted conversation with death. A River Dies of Thirst is a collection of quiet revelations, embracing poetry, life, death, love, and the human condition.

The authors of oral literature in the Pashtun language create their work at a far remove from any books. Generally deprived of the support of schools and universities, their compositions are inseparable from song. Their poetry is never declaimed; rather, their rhyme and rhythm have melodic value. These popular improvisations do not exalt mystic love. In them there is no aspiration whatsoever to an unfathomable and incommunicable heaven, nor devotion to the lord, nor praise for an absolute master, nor any Adonis. To the contrary, they are songs of the earth. They celebrate nature, mountains, rivers, dawn and night’s magnetic space. They are songs of war and honor, shame and love, beauty and death. The repression of Afghan women has caused untold suffering, particularly through moral subjugation. Infant daughters and their mothers are received with scorn and shame, and lead lives of subordination and humiliation. Their rebellion against these tribal codes comes only through suicide and song. Translated from the Pashtun into French by the eminent Sayd Bahodine Majrouh, the greatest Afghan poet of the twentieth century, his text has been rendered into English in the expert hands of Marjolijn de Jager of the Translation Department at NYU.

The countries that stretch along the broad horizons of the Middle East--from Morocco to Iran, from Turkey to Pakistan--boast different cultures, different languages, and different religions. Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region. Acting with Words Without Borders, which fosters international exchange through translation and publication of the world's finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama--many of them presented in English for the first time--features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature--from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai--connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon. By shifting America's perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet & Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly). Includes the writings of Kahlil Gibran, Tawfiq al-Hakim, N?zim Hikmet, Ismat Chughtai, Muhammad Iqbal, Faiz Ahmed Faiz, Forugh Farrokhzad, Ahmet Hamdi Tanpinar, Yasar Kemal, Ghassan Kanafani, Mahmoud Darwish, Adonis, Ahmad Shamloo, Naguib Mahfouz, Orhan Pamuk, and more.

Tilda Swinton's Top Ten Favorite Books for T: The New York Times Style Magazine Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic language, and beloved as the voice of his people. A legend in Palestine, his lyrics are sung by fieldworkers and schoolchildren. He has assimilated some of the world's oldest literary traditions while simultaneously struggling to open new possibilities for poetry. This collection spans Darwish's entire career, nearly four decades, revealing an impressive range of expression and form. A splendid team of translators has collaborated with the poet on these new translations, which capture Darwish's distinctive voice and spirit. Fady Joudah's foreword, new to this edition, addresses Darwish's enduring legacy following his death in 2008.

"A moving testament to the impact one person can have and the devastating effects of occupation." --Washington Post Best Poetry Books of 2019 Internationally beloved poet Naomi Shihab Nye places her Palestinian American identity center stage in her latest full-length poetry collection for adults. The collection is inspired by the story of Janna Jihad Ayyad, the "Youngest Journalist in Palestine," who at age 7 began capturing videos of anti-occupation protests using her mother's smartphone. Nye draws upon her own family's roots in a West Bank village near Janna's hometown to offer empathy and insight to the young girl's reporting. Long an advocate for peaceful communication across all boundaries, Nye's poems in The Tiny Journalist put a human face on war and the violence that divides us from each other.

"These poems offer a window onto the sensibility of a modern American Muslim, with unflinching honesty and richly informed compassion. The great humanistic tradition of poetry known in Arabic and other Eastern languages here finds a contemporary English voice, which will be recognized like a lost friend who has unaccountably been rediscovered."--Carl W. Ernst, William R. Kenan Junior Distinguished Professor of Religious Studies, UNC-Chapel Hill This dazzling and moving new collection of poems addresses faith, love, politics, and Islam in the twenty-first century. Ráfey Habib is professor of English at Rutgers University, New Jersey.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

The Funambulists brings together the diverse poetry collections of six contemporary Arab diasporic women poets. Spanning multiple languages and regions, this volume illuminates the distinct artistic voice of each poet, yet also highlights the aesthetic and political relevance that unites their work. Marchi explores the work of Naomi Shihab Nye, a celebrated American poet of Palestinian descent; Iman Mersal, an Egyptian poet living in Edmonton, Canada, who writes in Arabic; Nadine Ltaif, a Lebanese poet who lives in Quebec and has adopted French as her language; Maram al-Massri, a Syrian poet writing in Arabic and living in France; Suheir Hammad, an American poet of Palestinian origin; and Mina Boulhanna, a Moroccan poet living in Italy and writing in Italian. Despite their varying geographical and political backgrounds, these poets find common ground in themes of injustice, spirituality, gender, race, and class. Drawing upon the concept of tension, Marchi examines both the breaking points and the creative energies that traverse the poetic works of these writers. These celebrated funambulists use their art of balance and flexibility bolstered by their courage and transgression to walk a tightrope stretched out across cultures, faiths, and nations.

During the 1979 revolution, Iranians from all walks of life, whether Muslim, Jewish, Christian, socialist, or atheist, fought side-by-side to end one tyrannical regime, only to find themselves in the clutches of another. When Khomeini came to power, freedom of the press was eliminated, religious tolerance disappeared, women's rights narrowed to fit within a conservative interpretation of the Quran, and non-Islamic music and literature were banned. Poets, writers, and artists were driven deep underground and, in many cases, out of the country altogether. This moving anthology is a testament to both the centuries-old tradition of Persian poetry and the enduring will of the Iranian people to resist injustice. The poems selected for this collection represent the young, the old, and the ancient. They are written by poets who call or have called Iran home, many of whom have become part of a diverse and thriving diaspora.

During the 1982 air strikes on Beirut, Faiz Ahmed Faiz asked his friend Mahmoud Darwish "Why aren't the poets writing this war on the walls of the city?" Darwish responded, "Can't you see the walls falling down?" Queer, Muslim, American, Kazim Ali has always navigated complex intersections and interstices on order to make a life. In this scintillating mixture of lyrics, narrative, fragments, prose poem, and spoken word, he answers longstanding questions about the role of the poet or artist in times of political or social upheaval, although he answers under duress. An inquisition is dangerous, after all, especially to Muslims whose poetry and art and spiritual life has always depended not on the Western ideal of a known God or definitive text but on the concepts of abstraction, geometry, vertigo. "Someone always asks 'where are you from,'" Ali writes, "and I want to say 'a body is a body of matter flung/from the far corners of the universe and I am a patriot/of breath of sin of the endless clamor/out the window.'" Ali engages history, politics, and the dangerous regions of the uncharted heart in this visceral new collection. Hardcover is un-jacketed.

"An outstanding piece of scholarship and a welcome contribution to the field, this collection of neglected but powerful poetry speaks to our own time as much as it does to its own era." ---Nicholas Coles, University of Pittsburgh   "Opens up a dramatic new aspect of American literature for study, discussion, and enjoyment. The collection of poems is original and engaging and is sure to be useful for classes in literature, American history, and labor studies." ---Alan Wald, University of Michigan   You Work Tomorrow provides a glimpse into a relatively unknown aspect of American literary and labor history---the remarkable but largely forgotten poems published in union newspapers during the turbulent 1930s. Members of all unions---including autoworkers, musicians, teachers, tenant farmers, garment workers, artists, and electricians---wrote thousands of poems during this period that described their working, living, and political conditions. From this wealth of material, John Marsh has chosen poetry that is both aesthetically appealing and historically relevant, dispelling the myth that labor poetry consisted solely of amateurish and predictable sloganeering. A foreword by contemporary poet Jim Daniels is followed by John Marsh's substantive introduction, detailing the cultural and political significance of union poetry.   John Marsh is Assistant Professor of English at the University of Illinois at Urbana-Champaign and Coordinator of The Odyssey Project, a year-long, college-accredited course in the humanities offered at no cost to adults living below or slightly above the federal poverty level.   A volume in the series Class : Culture

"Impressive--Marsh successfully rewrites the founding moment of American Modernist poetry." ---Mark Van Wienen, Northern Illinois University "Cogently argued, instructive, and sensitive, Marsh's revisionist reading opens new insights that will elicit lively comment and critical response." ---Douglas Wixson, University of Missouri-Rolla Between 1909 and 1922, the genre of poetry was remade. Literary scholars have long debated why modern American poetry emerged when and how it did. While earlier poetry had rhymed, scanned, and dealt with conventional subjects such as love and nature, modern poetry looked and sounded very different and considered new areas of experience. Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry argues that this change was partially the result of modern poets writing into their verse what other poetry had suppressed: the gritty realities of modern life, including the problems of the poor and working class. A closer look at the early works of the 20th century's best known poets (William Carlos Williams, T. S. Eliot, Edna St. Vincent Millay, Claude McKay, Langston Hughes, and Carl Sandburg) reveals the long-neglected role the labor problem--including sweatshops, strikes, unemployment, woman and child labor, and immigration---played in the formation of canonical modern American poetry. A revisionary history of literary modernism and exploration into how poets uniquely made the labor problem their own, this book will appeal to modernists in the fields of American and British literature as well as scholars in American studies and the growing field of working-class literature.

Empowerment and self-determination are two words that come to mind when trying to describe this collection. This is not to say that a utopian workplace is portrayed herein. Exploitation has not been eradicated; equal pay is still the goal, not the reality. Work can often be boring and unfulfilling.But women here are not victims. These are strong women

Jill Magi's new book - comprised of fiction, poetry, and archival research - LABOR explores relations between workplace and workers, race-class-gender, the institution and the body, the personal" budget and the economy, the archive and undisciplined paper trails. An "employee handbook" sequence runs throughout the text, providing a set of directions for ritual practices toward individual agency and workplace/worker transformation. But unlike the archived ideologies and hopes of traditional labor history that LABOR's characters eventually abandon or never fully embraced, the transformation does not look like traditional progress or reform."

Poetry. Stitching a seam. Sweeping a floor. First light after working the all- night shift. These are small moments in everyday jobs, but surprisingly luminous. In his tenth book, Michael Chitwood describes hard, often dangerous labor, but renders also the quietude of housekeeping and office routines. We call this "making a living," the way we move through our days, to pay for the roof over our heads. Raking autumn leaves or drilling a dynamite hole to clear rock for a house foundation, we construct our lives. Chitwood knows that what we do today roots us in the past and becomes our future. Here is praise, as Gerard Manley Hopkins said, for all our gear and tackle.

Poetry. Latino/Latina Studies. LGBT Studies. Translated from the Spanish by the author. Bilingual Edition. This is a work of rare beauty and intelligence. Through tierra, fuego, agua, and aire, Alarcón takes us on a journey into our own psyche and through the concerns of our world--immigration and identity, the fragility and strength of our natural environment, the many faces of love, and the politics of a world in great need of illumination. Through everything he gives voice to our own unspoken feelings, and does so with delicate yet powerful language. His language is lean and brief; his poems puncture the skin and pierce the heart. These poems are a constant source of wisdom and grace. In these pages Francisco recapitulates the last 50 years; the struggles of so many, the dreams and the actions of millions seeking to emerge from a world that has been compromised.

A dazzling and definitive compendium of the Latino literary tradition. This groundbreaking Norton Anthology includes the work of 201 Latino writers from Chicano, Cuban-, Puerto Rican-, and Dominican-American traditions, as well as writing from other Spanish-speaking countries. Under the general editorship of award-winning cultural critic Ilan Stavans, The Norton Anthology of Latino Literature traces four centuries of writing, from letters to the Spanish crown by sixteenth-century conquistadors to the cutting-edge expressions of twenty-first-century cartoonistas and artists of reggaeton. In six chronological sections--Colonization, Annexation, Acculturation, Upheaval, Into the Mainstream, and Popular Traditions--it encompasses all genres, featuring such writers as José Martí, William Carlos Williams, Julia Alvarez, Oscar Hijuelos, Cristina García, Piri Thomas, Esmeralda Santiago, and Junot Díaz. Twelve years in the making, The Norton Anthology of Latino Literature sheds new light on "nuestra America" through a gathering of writing unprecedented in scope and vitality.

On April 20, 2010, nine Latino students chained themselves to the main doors of the Arizona State Capitol in an act of civil disobedience to protest Arizona's SB 1070. Moved by the students' actions, that same day Francisco X. Alarcón responded by writing a poem in Spanish and English titled "Para Los Nueve del Capitolio/ For the Capitol Nine," which he dedicated to the students. The students replied to the poem with a collective online message. To share with the world what was taking place, Alarcón then created a Facebook page called "Poets Responding to SB 1070" and posted the poem, launching a powerful and dynamic forum for social justice. Since then, more than three thousand original contributions by poets and artists from around the globe have been posted to the page. Poetry of Resistance offers a selection of these works, addressing a wide variety of themes, including racial profiling, xenophobia, cultural misunderstanding, violence against refugees, shared identity, and much more. Contributors include distinguished poets such as Francisco Aragón, Devreaux Baker, Sarah Browning, Lorna Dee Cervantes, Susan Deer Cloud, Sharon Dubiago, Martín Espada, Genny Lim, Pam Uschuk, and Alma Luz Villanueva. Bringing together more than eighty writers, the anthology powerfully articulates the need for change and the primacy of basic human rights. Each poem shows the heartfelt dedication these writers and artists have to justice in a world that has become larger than borders. Poetry of Resistance is a poetic call for tolerance, reflection, reconciliation, and healing.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Featuring fiction, poetry, nonfiction, and comics by 48 writers from around the world, QDA: A Queer Disability Anthology proves that intersectionality isn't just a buzzword. It's a penetrating and unforgettable look into the hearts and souls of those defiant enough to explore their own vulnerabilities and demonstrate their own strengths. Here is a gathering of people with the transformative-and political-power of love that transcends gender and ability. Ignorance is the biggest barrier. "An anthology often creates a community. In this respect, QDA is truly groundbreaking because it brings two wonderful communities together. There is not a single style, genre, or opinion in the book, but an orchestra of voices. Their seminal works mirror-and do not mirror-each other. Taken together, they light a brilliant path of honesty." -Jennifer Bartlett, co-editor of Beauty Is a Verb: The New Poetry of Disability

"We sometimes can browse the world but sometimes we need detail. We need to know the ugly why and the beautiful why. The poetic Queer why is often neglected. I believe this anthology will go someway to uncover and decorate our eclectic and diverse wheres and whys. In these increasingly complex times we need to understand why more." -Gerry Potter "When we talk about literature, there are tweets and there are three-volume novels. And, selected poems and collected poems and a poem. There are so many different packages for the same energy to travel through. I think post-identity is sort of a zen concept. You know like, "Wake up " (Smacks hands with a sharp clap). Whats the identity of that moment? Whats the gender of that moment? There are spots where there is no identity whatsoever. But by the nature of who I am or who any of us are we will need to be in groups that resemble us. Its so crucial to have those identity groups where you gather and are reinforced by your conversations. And dont live there. Something Im really interested in is how queer identity is like an immigrant group. We need to find each other at various points to say, "God-Iceland " But we dont live in Iceland. I think "post" is a desire to have a little space, but I dont think its a place where you get to stay." -Eileen Myles

The first of its kind, Troubling the Line: Trans and Genderqueer Poetry and Poetics, gathers together a diverse range of 55 poets with varying aesthetics and backgrounds. In addition to generous samples of poetry by each trans writer, the book also includes "poetics statements"--reflections by each poet that provide context for their work covering a range of issues from identification and embodiment to language and activism. Poets include Samuel Ace, Julian Talamantez Brolaski, Micha Cardenas, kari edwards, Duriel Harris, Joy Ladin, Dawn Lundy Martin, Eileen Myles, Trish Salah, Max Wolf Valerio, John Wieners, Kit Yan, and more.

The armed conflict in the east of Ukraine brought about an emergence of a distinctive trend in contemporary Ukrainian poetry: the poetry of war. Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness. In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.

Cameroon is no longer a peace-haven in Central Africa. This bilingual poetry anthology is a literary response to the avoidable but worsening and under-reported fratricidal war in Anglophone Cameroon. Written in English and French, the anthology brings together thirty-three poets from thirteen countries in Africa and beyond. The poets are concerned with the blood baths, burnings and other crimes committed in Anglophone Cameroon in the name of unity or division.